The Colombian-American artist shines on “La Luz (Fín)” (or “The Light (End)”) with Jhay Cortez, the Puerto Rican visionary helping take reggaetón into the future. There’s a gleaming, high-octave guitar lick. Even amid infinite darkness, Stephen Bruner still manages to entertain. While sharing the stills, the actress captioned the post and wrote that his film gave her some of the “memorable songs.” Madhuri Dixit celebrates 30 years of Thanedar. “Shaking out the numb,” Amelia Meath coos over Nick Sanborn’s muted guitar loops and frizzy synth-bass. The song is packed with Stephen Carpenter’s heavy, grimy riffs and Chino Moreno’s ominous, obscure lyrics. "Two Out of Three Ain't Bad," Meatloaf, 28. Guitars squeal and twang; the pace is a thick chug commingled with a cocksure strut. “Not Afraid” by Eminem is all about standing up for yourself, something that isn’t talked about enough in general. Here, Adjuah — who plays trumpet and reverse flugelhorn, among other instruments — and his band condense “Guinnevere,” investing it with a pointed verve. Teaming with Bon Iver, Taylor Swift wound up with the string-backed, gospel-adjacent “Exile,” her most innovative tune in recent memory. Before releasing her debut LP, , and teaming with Cardi B for the pop culture triumph “WAP,” she tucked one of the year’s catchiest, most clever songs on her, . From box office movies to the latest Bollywood hits, Radio Mirchi is a one-stop solution for all your music needs. Don’t Stop … Here are 30 of the best trance songs of all-time, as curated by trance music maestro Armin van Buuren. Boricua producer Marco “Tainy” Masís is at the helm, seamlessly blending Uchis’ R&B vibe with Cortez’s reggaetón world. 30 Minute Love Affair - Paloma Faith. The two singers form a dream team on the alluring single, with Cortez’s flirty flow complementing Uchis’ captivating come-ons. If you'd like to listen to some more chords - you can check out our List of 20 Sad & Emotional Chord Progressions in 2020. New questions arise: Is that a synth or a pitch-shifted guitar? These hit tracks have some hidden meanings you might've missed on first listen. 30 Valentine’s Day Songs That Will Make You Swoon. Enter your email address to get the best tips and advice. Written long before it felt like the world was collapsing, Bridgers coincidentally captured the emotions of panic, pain and desolation felt throughout 2020 while writing her Grammy-nominated record. 2. “Heavy Balloon” watches Apple triumphantly overcome the bullshit and find victory and confidence within herself. 2 on the Billboard Hot 100 (her highest chart placement to date) and securing three Grammy nominations. –. The breakout track from Tom Fec’s new album. The Rolling Stones, “(I Can’t Get No) Satisfaction” Perhaps the best-known case of unnecessary parentheses in musical history, The Rolling Stones’ 1965 classic actually didn’t feature the “(I Can’t Get No)” on the artwork for the single—only on the Out Of Our Heads album art and points beyond. –. The darkness, as always, suits them. The song’s about a metaphorical apocalypse, with Bridgers coming to terms with her world ending, but determined to make the best of it. “I have traded my life for a picture of the scenery,” Stevens sings. In lieu of a subtle intro or slow-burning overture, barrels out of the gate with fury and purpose as these rap veterans rhyme tongue-twisters around each other, bring their wrath upon racist cops and billionaire charlatans, and imagine themselves as a fictitious ’70s television duo called Yankee and the Brave. The newly tweaked cut appeared on the album in February; the original was removed from streaming, though it still lives on YouTube. Wringing true emotion from every note, the Haim sisters — Este, Danielle, and Alana — frame this in personal and relatable terms: We’re all trying to overcome something; most of us have had a partner who didn’t seem supportive enough; honeymoons end eventually; a sense of independence is paramount. sklyareek // Shutterstock. If you're not paying attention, it might sound like an ode to endless love. – Tatiana Tenreyro, Back in 2017, Dua Lipa laid down instructions to rise above an ex-flame with “New Rules.” Well, it seems like that lover just won’t quit — the pop star recorded another anthem to get him off her back. The tale of “Borderline,” the lead single off Tame Impala’s euphoric fourth LP, Slow Rush, is this: Kevin Parker released the song in April 2019, realized he wasn’t satisfied with the mix and tinkered with it — pumping up the synth-bass line, swapping a few lyrics and eliminating the fan-beloved “ahhh” in the track’s first few seconds. Sep 8, 2020 The sound of R&B has changed tremendously in the last 75 years, but the ingredients that make a timeless soul track remain the same. The clubby, Metro Boomin-produced “Heartless” got to No. –, “We don’t mean no harm / But we truly mean all the disrespect,” El-P and. Cardi B (feat. –, a 12-minute odyssey hinging on the singer pleading to God, “Don’t do to me what you did to America.” The album’s final track forgoes stars and stripes for a long-winded but mercilessly effective exploration of disillusionment. The wild “Helio” lands somewhere between the synthetic and human, blending dewy jazz piano and rumbling double-bass with quietly buzzing electronics and stacked, chanted vocals that could only be achieved through intense overdubbing. - J.P.B. By Grant Rindner. 4)”, “We don’t mean no harm / But we truly mean all the disrespect,” El-P and Killer Mike declare on “Yankee and the Brave (Ep. Lean into it with these devastatingly great odes to being blue on Christmas. The clubby, Metro Boomin-produced “Heartless” got to No. It was the 30th-biggest song of the '90s. Once it’s safe to dance in public again, DJs better be ready to crank this one. These tunes will be there for you! That intensity feels more appropriate than ever, given the near-apocalypse we seem to be living through these days. 1 first but quickly dropped off, and over the next few months the world came around to the superior charms of the ‘80s synth-pop homage “Blinding Lights.” Michael Sembello famously wrote “Maniac” for a slasher flick before it was repurposed for, , and the gleaming, slightly ominous “Blinding Lights” sounds a little like Abel Tesfaye and Max Martin turned “Maniac” back into a song for a horror movie. Tatsam Mukherjee. 1 first but quickly dropped off, and over the next few months the world came around to the superior charms of the ‘80s synth-pop homage “Blinding Lights.” Michael Sembello famously wrote “Maniac” for a slasher flick before it was repurposed for Flashdance, and the gleaming, slightly ominous “Blinding Lights” sounds a little like Abel Tesfaye and Max Martin turned “Maniac” back into a song for a horror movie. Learn from it and come back fighting so that you can reach the next level. Fittingly, there is no obvious payoff for those who endure to the song’s final moments. It’s a reminder that we have control over ourselves, over our perceptions of ourselves and over our abilities. After a couple repetitions of the line, the tongue-speaking sounds like a familiar language. “You done something wrong.” The band matches that heaviness with a serpentine, symphonic-level arrangement: bong-hit riffs, brass blasts, a bluesy electric piano solo. “Too afraid to live,” James sings. 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